cmqa2020-08-12T03:37:01+01:00August 12th, 2020|
Departure from the Institute of Precious Metals 2004. Since 2007 guest lecturer at the Royal College of Fine Arts. Exhibition activity at abroad. Since her departure, she has worked thematically, project and exhibition work. The hallmark of her work is that she transforms the things and concepts we surround ourselves with, as well as the thoughts she makes about our being, into a piece of jewelry about the world we live in.
AnneThomasen2021-03-12T16:54:31+00:00March 8th, 2021|
Annett Stenzel (DE), 'f (Silence Song)', 2020. HD video, 11.40 ...
cmqa2020-08-12T03:34:52+01:00August 12th, 2020|
Is a film director, architect and PhD. specialising in film and architecture. He graduated from the Royal Danish Academy of Fine Arts in 1997, the Danish Film School's documentary department in 2003 and works daily at the Royal Danish Academy of Fine Arts School of Architecture as a writer, researcher and teacher. The 2009 PhD thesis "The Construction of the Gaze" brings together this multifaceted experience in a field of research that studies space and the influence of time on the making of artistic statements. This is specifically about the importance of the montage for the film as well as the architecture, in the clipboard as well as on the drawing board. In parallel with this, Morten Meldgaard works with his own film-making practice in collaboration with Anne Wivel and the film company Baroque. As a director and photographer, the documentary "Kim" (2009) is Meldgaard's debut film.
AnneThomasen2021-03-12T18:23:17+00:00March 8th, 2021|
Anne Louise Blicher (DK), 'Kelp Star Composition', 2019. Laminaria Digitata, spray paint ...
cmqa2020-08-12T03:37:49+01:00August 12th, 2020|
Jonas Raam's work is a subjective story writing in pictures. He is based on the irrational and contradictory image flow of our time. From sources such as the Internet, newspapers, books and his own photographs, he generates imagery that touches on topics such as sociality and culture, power, politics, psychology and symbolism. By selecting images from these different media and taking them out of their context, and then putting them into a different context, he constructs a new content. The selection does not follow any fixed form or thematic categorisation. The material is presented in visual structures without directly relating to one particular story or sequence. The intention is to tell as complex a story as possible both at the external and internal level, in order to achieve a detailed network of different associations with the viewer.
AnneThomasen2021-03-12T12:15:24+00:00March 8th, 2021|
Anna Sofie Jespersen (DK), 'Occluding Edge', 2018. Oil spatula, pastel, oil bar on ...